boca · infolato

Names
English	boca
English	mouth pitch
English	oral resonance
Japanese	口腔共鳴
Properties
Articulation	pitch
Shake Length	n/a
Parent Techniques
Difficulty	easy
Prevalence	standard
Position
Start	n/a
End	n/a
Glyph Notation
Glyph (front)
Glyph (left cheek)
Glyph (right cheek)
Usage	always placed above glyph affecting the pitch of
Dynamics
Volume	n/a
Range	n/a
Ease	n/a
History
Source	unknown
Location of Origin	West Africa
Date of Origin	unknown
Influences	n/a
Signature Players	n/a

Names

English

boca

English

mouth pitch

English

oral resonance

Japanese

口腔共鳴

Properties

Articulation

pitch

Shake Length

n/a

Parent Techniques

Difficulty

easy

Prevalence

standard

Position

Start

n/a

End

n/a

Glyph Notation

Glyph (front)

Glyph (left cheek)

Glyph (right cheek)

Usage

always placed above glyph affecting the pitch of

Dynamics

Volume

n/a

Range

n/a

Ease

n/a

History

Source

unknown

Location of Origin

West Africa

Date of Origin

unknown

Influences

n/a

Signature Players

n/a

Changing pitch of asalato using mouth.

Place mouth at the contact point. Higher pitch is produced through less space inside mouth. Lower pitch is produced through more space inside mouth.

individual examples

knock (out position)

knock (flip position)

sound quality

Experiment to find the best placement for the clearest sound, which will vary between players. Placing the mouth at the contact point allows for more resonance.