| Names | |
|---|---|
| English | flip-flop |
| Japanese | フリップフロップ |
| Properties | |
| Articulation | hit |
| Shake Length | 3 |
| Parent Techniques | flip, flop |
| Difficulty | medium |
| Prevalence | core |
| Position | |
| Start | flip position |
| End | flip position |
| Glyph Notation | |
| Glyph (flip) | |
| Glyph (flip grab) | |
| Glyph (flop) | |
| Glyph (flop grab) | |
| Usage | |
| Dynamics | |
| Volume | medium |
| Range | low |
| Ease | low |
| History | |
| Source | unknown |
| Location of Origin | West Africa |
| Date of Origin | unknown |
| Influences | n/a |
| Signature Players | n/a |
Combination of flip and flop. Shake from the elbow. There should be a clear shake sound while playing this rhythm.
The shake sound should be clear and articulate.
At first, practicing the shake motion as parallel to the ground (in a straight perpendicular line away from the player's body) can help in making the shake sound more clear and articulate.
Unknown.