| Names | |
|---|---|
| English | grab |
| English | hang |
| Japanese | グラブ |
| Japanese | ハング |
| Chinese | 接球 |
| Properties | |
| Articulation | hit |
| Shake Length | n/a |
| Parent Techniques | |
| Difficulty | medium |
| Prevalence | core |
| Position | |
| Start | n/a |
| End | n/a |
| Glyph Notation | |
| Glyph |  |
| Usage | placed next to the glyph that has the grab |
| Dynamics | |
| Volume | n/a |
| Range | n/a |
| Ease | n/a |
| History | |
| Source | unknown |
| Location of Origin | West Africa |
| Date of Origin | unknown |
| Influences | n/a |
| Signature Players | n/a |
Any motion where the free gourd is swinging to a hit, and stops moving through the fingers grabbing it and holding it still against the held gourd.
Isolated example, can be used to practice. In flip position.
The gourds should be held together after the grab, without additional clicks or hits. This produces a single clear striking sound. It is important to not introduce tension in the hand after the grab, as this can lead to injury.
None yet.
Within the rhythm <a href="/technique/rhythm/flip-flop-delay"flip-flop delay.
Unknown.