| Names | |
|---|---|
| English | long game |
| Properties | |
| Articulation | grip |
| Shake Length | n/a |
| Parent Techniques | |
| Difficulty | hard |
| Prevalence | extended |
| Position | |
| Start | long game |
| End | long game |
| Glyph Notation | |
| Glyph | none yet |
| Usage | |
| Dynamics | |
| Volume | n/a |
| Range | n/a |
| Ease | n/a |
| History | |
| Source | unknown |
| Location of Origin | unknown |
| Date of Origin | unknown |
| Influences | begleri? |
| Signature Players | n/a |
Adjust the rope length to be longer than normal, enabling more variety in techniques that wrap around the fingers. Smaller gourds and a thinner rope will also assist in flexibility and manipulation.
This can be done with only one asalato, leaving the other at a normal length, enabling more variety in rhythm.
None yet.
Not yet described.
None yet.
None yet.
On Instagram: www.instagram.com/ka_shaka_shakers.
None yet.
Unknown. Name given is from the author, and takes inspiration from how begleri players are describe "long game" and "short game" depending on rope length.