| Names | |
|---|---|
| English | pause throw tap |
| Properties | |
| Articulation | tap |
| Shake Length | n/a |
| Parent Techniques | pause throw |
| Difficulty | very hard |
| Prevalence | theoretical |
| Position | |
| Start | heli |
| End | heli |
| Glyph Notation | |
| Glyph | none yet |
| Usage | |
| Dynamics | |
| Volume | low |
| Range | low |
| Ease | low |
| History | |
| Source | unknown |
| Location of Origin | unknown |
| Date of Origin | unknown |
| Influences | n/a |
| Signature Players | n/a |
After throwing a pause throw, strike one of the gourds in the air with a gourd in the other hand (held flop position, using free gourd). This causes the asalato in the air to start spinning. Catch with the free hand.
The tap should sound clear and articulate.
None yet.
None yet.
None yet.
None yet.
Author's note:
I developed this idea after watching kendama taps. It might be possible consecutively, like how kendama taps are chained together, although I am a long way off from being able to execute this in practice.