| Names | |
|---|---|
| English | tamb shake |
| Properties | |
| Articulation | shake |
| Shake Length | n/a |
| Parent Techniques | shake |
| Difficulty | easy |
| Prevalence | extended |
| Position | |
| Start | any |
| End | any |
| Glyph Notation | |
| Glyph |  |
| Usage | |
| Dynamics | |
| Volume | low |
| Range | low |
| Ease | low |
| History | |
| Source | unknown |
| Location of Origin | unknown |
| Date of Origin | unknown |
| Influences | n/a |
| Signature Players | n/a |
Using only the wrist (turning side-to-side), shake the asalato. Similar in technique to a tambourine shake roll (wrist-based). When playing in flop position, ending in a flop position shake gives a clean end to the shake.
The sound should be smooth and sustained.
Can be done in flop position, or after a fist catch.
None yet.
None yet.
Author's note:
I transferred this idea from Joropo maracas in December of 2024, but it is concievable that someone else has thought of this first.