| Names | |
|---|---|
| English | tri-beam |
| Japanese | 気功砲 |
| Properties | |
| Articulation | pose |
| Shake Length | n/a |
| Parent Techniques | |
| Difficulty | hard |
| Prevalence | extended |
| Position | |
| Start | |
| End | |
| Glyph Notation | |
| Glyph | none yet |
| Usage | |
| Dynamics | |
| Volume | n/a |
| Range | n/a |
| Ease | n/a |
| History | |
| Source | HINDOU |
| Location of Origin | Japan |
| Date of Origin | unknown |
| Influences | n/a |
| Signature Players | unknown |
End by pushing the asalato so that they rest on the top of the wrist while forming a triangle shape with the thumb and rest of the fingers.
No sound is produced.
Can be done with hands clasped together.
None yet.
None yet.
None yet.
The term 気功砲 (きこうほう) is specifically from the Dragon Ball series.