| Names | |
|---|---|
| English | shake |
| Japanese | シェイク |
| Japanese | 振る |
| Properties | |
| Articulation | shake |
| Shake Length | n/a |
| Parent Techniques | shake |
| Difficulty | easy |
| Prevalence | core |
| Position | |
| Start | any |
| End | any |
| Glyph Notation | |
| Glyph | |
| Usage | |
| Dynamics | |
| Volume | low |
| Range | low |
| Ease | high |
| History | |
| Source | unknown |
| Location of Origin | West Africa |
| Date of Origin | unknown |
| Influences | n/a |
| Signature Players | n/a |
The technique shake by itself usually refers to a shake while holding the asalato in flip position.
The shake sound should be clear and articulate, and each beat of the shake sound should be obvious to the listener if a groove is intended to be felt.
Shaking in different directions, often to produce a clearer sound or for visual interest.
Unknown.